Dolce & Gabbana: Off-Trend?

We are fortunate enough to be living in a somewhat liberal age and society. People for the most part are allowed to develop their own lifestyles and express themselves freely without a great deal of censorship or restraint. But sometimes this can create problems, not everyone is as free-spirited as you would hope. 

A week or so ago legendary Italian fashion designers Domenico Dolce and Stefano Gabbana's controversial comments opposing in vitro fertilisation, surrogacy and same sex parenting lit up a tense worldwide debate. Dolce's choice of words in particular caused huge offence, after he stated "I'm not convinced by what I call chemical children, synthetic babies."

(Photo via Swide.com)
Clearly Dolce & Gabbana have upset a lot of people, considering they are both openly gay men themselves it's being seen as an act of betrayal. Obviously, I don't support their views, but I support the fact that they have the right to comment. It's important people realise everyone is entitled to their own opinion, be it good or bad. How an individual expresses it is equally as important. You can get your point across without doing it in a hurtful, nasty way. 

I believe a person's identity is not determined by his/her parents, it's who you are not where you came from. A father is not a man who donates sperm and a mother is not a woman who donates her eggs, a parent is the person who raises you, loves you unconditionally and is there for you when it matters. Genes are irrelevant. I respect that certain people in this world feel genetic heritage is a fundamental right and nature will always dictate that every human being came from a father and a mother. But I really think society it to blame here for wronging donor children and placing this unneeded emphasis on biological importance, family is not to be defined by blood, it is defined by love.

 (Photo via Indiatoday.intoday.in) 
My only real criticism is that I found Dolce's comment on 'synthetic' babies particularly patronizing. Each child is a blessing, God or nature still has a helping hand in everything brought into this earth, it's ignorant to think otherwise. Technology and science is still not the sole source or provider. All babies have a heart and soul, we're not talking about material items or commodities, these are real life human beings, to label them as anything less than that is disgusting. The reality is IVF is a miracle that has allowed loving people throughout the world both gay and straight to fulfil their dream of having children and becoming parents, to dismiss assisted reproduction and its endless benefits is crazy. The gift of life is special and is always going to continue to be a gift regardless of the circumstances. 

Celebrities such as Elton John and Madonna are now campaigning for a global boycott of the fashion-house. But what's the purpose of this? They themselves have tarnished their own brand a great deal. The damage is already done. We all have different viewpoints and every right to be different in those views. The entire concept of free-speech is to be open and not so intolerant of different opinions. Trying to destroy or ruin a brand just for the sake of it just doesn't seem right.

I've never been able to afford their clothing up to now so it's no great loss on my part, I just hope this recent war of words opens up people's minds a bit more and allows them to see past their own values.

(Photo via Cpp-luxury.com)

2014 Favourites: The Music (Part Five)

2) Broods 'Evergreen'

Brother-sister duo Broods are probably the least known act featured on my list of 2014's album favourites, to an Irish audience at least. I discovered the Kiwi sensation early last year on YouTube when Bridges their debut single went semi-viral. Now, two major record deals and a spectacular full-length album later Caleb and Georgia Nott have managed to create a really good buzz for themselves worldwide. 

The record itself is largely electro fuelled and remains alternative indie-pop throughout. Brimming with easy hooks and a pristine production there is a timelessness and maturity from it that you wouldn't expect from two musicians in their early, early twenties. 


(Photo via www.undertheradar.co.nz)
Evergreen is full of interesting combinations. Growing up in a largely musical household, each sibling is a distinctive artist in their own right. Without letting this contrast of talent make things messy or confusing both musicians successfully play to their individual strengths. They don't lose that magic that makes them each unique, it's refreshing to see. 

There's a real intelligence in their song writing, it's both abstract and literal. One sibling is simplistic, expressive and tells it for what it is while the other writes music somewhat abstract and complex. Together this sort of structured creativity really thrives. The duo's subtle differences really work in their favour and I really enjoyed the variation it brought to the record.

Another striking dynamic evident in this album is its inventive mix of both sadness and positivity. The instrumentation on uptempo tracks like Everytime is infectious, there's heavy, rhythmic beats with energetic synth arrangements. Whereas the lyrics then are dark and melancholic like what you'd typically find on a ballad. There's a sense of irony almost, but it creates this really diverse sound. 


(Photo via www.radiobigboy.com)


Georgia sings the majority of the record herself, while Caleb looks after the production. A sparse, shadowy sound noticeable on the second half of Evergreen which really allows Georgia's vocals to take centre stage. Her voice is infatuating, so emotion heavy and haunting. It's one of the many stand-outs of the record. Nonetheless Caleb's vocals aren't to be overlooked, I really like when he pitches in on Pretty Thing it adds a great momentum and builds up to the explosive chorus, the fact that this particular song isn't even included on the LP showcases how superb the material we are given is. 

This album really resonated with me. It explores coming of age and reluctant independence. The difficulty of becoming an adult in today's society is a struggle we all go through and it's tough finding your place and own identity. 

Tracks like Never Gonna Change and Sober ache with young love and heartache, exposing this vulnerability that's easy to for us the listener to relate to and identify with. 

Call me depressing but sometimes it can be soothing to wallow in misery, after all it sounds so beautiful when it's put to music like this. Broods, as their name suggests are quite moody. Evergreen comprises almost solely of sad songs, but to their credit sad songs never sounded so good.

Favourite tracks: Everytime, Coatails, Sleep Baby Sleep, L.A.F, Medicine


(Photo via Directlyrics.com)
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